I've thought a lot about these types of pondering/commentary threads and I couldn't help but be reminded of the modern comic book industry.
In the late '80s/early '90s, the market changed quite a bit. Men growing up on comics began entering the field as writers & artists. Rather than continue doing what they enjoyed about comics, as kids, they produced more mature work. Batman became a hardcore vigilante, Superman died, Spider-man expanded into a (minimum) 5-title series and the Hulk became a philosophical book. Those kinds of books never before dominated the market… they usually ran in alternate universes. This protected the books for youth while giving adult comic book fans something a little more relatable. The fanboy takeover of 'the Big Two' created a type of homogenous vibe in USAmerican comics. Yeah, there was a very brief financial spike, but the industry $$$$uffered in the long term.
The industry has since been in a constant scramble to sort out how to draw in youth, because it needs fresh minds/new blood to keep the machine moving. Catering to older men cannot sustain that industry, because those men have stuff like adult life (Read; Bills & other commitments) competing with their entertainment dollars. But with such a severe paradigm shift, the industry was never the same. Now, imported Japanese comics (called manga) dominate the market. Japanese comics are more varied… always mindful of their market. The industry also saw the second coming of 'indy comix'. Those books varied from fun, silly and/or bizarre to really deep and personal dramatic works.
'The Big Two', now, shares markets… ideas… and creators with the underground & foreign markets. Look at the films coming out of Hollywood in the past 15 years. Not every comic book movie and/or television show is based on a major superhero book. Big $$$.
FIAT has always, even in Europe, catered to a certain demographic. That demographic is fun-loving people who dig but, maybe, can't afford Italian exotics. Look at most of their vintage print ads… La Dolce Vita. They lost that bit of fun, for a short time.
FIAT, with a fresh global strategy, realizes they need to reclaim their image. Maybe cars priced for the 'everyman' could also be designed with celebrity appeal… again. Modern people are image-conscious and the ability to afford a car associated with 'how the other side live' is attractive to most. The premium econocar is born. It worked in the '50s/'60s/'70s… FIAT trusts it will work again. In the process, they could reinvigorate our market (which has become a bit stayed & homogenous, like the USAmerican comic book industry).
Does this strategy diminish the image of FIATs as well-designed, simply perfect & affordable cars? Not in the slightest. The people FIAT draws with what they do better than anyone else are what we call fans & early adopters. Many of those people remained loyal to FIAT… even through the decades FIAT offered no new product in the USA.